Introducing another bridge set specifically designed for use in DAZ Studio: the Starship Bridge XT 2.
Like all of our bridges, console stations are arranged along the outer ring, with the captain and helm/ navigation in the center. This bridge includes additional sit-down stations to the right and left of the helm as well as two stand-up stations on either side of the captain`s chair.
This bridge set uses a front glass window instead of a viewscreen. An exterior front wall surrounds the window, which makes it perfect for images looking into the bridge from the outside.
An elevator/ lift is located to the left-rear of the bridge. although the door can open, the lift doesn't move.
A circular hallway can be added behind the right-rear doors. The hallway is included in this product as a separate model.
Product Features:
* Includes two DAZ Studio files (dsf, duf/ png):
- Bridge, at 119,110 polygons.
- Hallway, at 47,210 polygons.
These are separate figures so you add the hallway as needed or use it separately.
* Although the hallway can be added behind the bridge, there is no additional hallway behind the hallway`s doors.
Moving Parts:
* Like our other Starship Bridges, all walls (and the ceiling) can be hidden for easier camera placement.
* The doors can open and close (with pose control dials on the Body):
- Bridge: right-rear doors and lift door.
- Hallway: rear doors.
* All of the chairs (including the captain's chair) can rotate or be repositioned in the scene.
* The chairs around the outer ring of the bridge can be safely stowed under the consoles.
Textures:
* Three sets of textures are included for both the bridge and hallway.
- Alternate Universe
- LD Studio
- Standard
* All of the monitors and consoles use their own texture maps for further customization.
Cameras:
* Camera files are included:
- 14 for the bridge.
- 5 for the hallway.
Designed for use in DAZ Studio 4.8 or higher: includes a dsf and duf/ png files and Iray optimized surfaces.
Original mode by Richard Duda. DAZ Studio conversion and sales images by Paul D Smith. « Less